Movie Analysis (Ride Along)

              The movie that I watched was Ride Along. This was a 2014 action- comedy film starring Kevin Hart and Ice Cube. This movie took me on a humorous and adrenaline-fueled ride through the streets of Atlanta. Ride along was directed by Tim story, and this movie follows the misadventures of Ben Barber (Kevin Hart), an enthusiastic security guard with dreams of going the police force, and his soon-to-be-brother-in-law, James Payton (Ice Cube), a tough seasoned detective. As the two embark on a high-stakes ride-along, the film weaves a tale of comedic escapades, unlikely partnerships, and unexpected camaraderie. In this cinematic Journey, the artful use of camera angles not only propels the narrative forward but also adds depth to charcter dynamics, enhancing the overall entertainment value of the film. Let's delve into specific scenes where the crafty cinematography contributes to the emotions and feelings intended by the filmmakers.

         

               This shot right here is an over the shoulder shot, you can see that James is staring down three men in all black. You can feel the intensity in this shot because you can anticipate something is about to go down.  The light and the shadows of this shot intensifies the impending moment between him and the three men in all black. At the same time, the three men wearing all black are also, visual metaphors. Are they antagonists or are they partners with James. The uncertainty adds to the suspense in the shot. 

          Moving right along, This next shot is a two shot between Ben and his girlfriend. In this shot, you see Ben and his significant other smiling at each other. This gives off a feeling of warmth, peace and love. This shot is completely different than the other because their smiles, exchanged like secret premisses, and it paints a tableau of peace and love. That gives off an happy, joyous, and a feeling of warmth feel to it. On the other hand, the other shot gives off an ominous, suspenseful feel. You don't feel the same love and peace from that shot.

Next, The shot right is an extreme long shot. This camera shot captures the vast distance between Ben and the kids he is attempting to chase. This gives off an humorous affect because Ben who is likely running in full pursuit, becomes a distant, almost miniature figure. The exaggerated separation adds a delightful touch of absurdity, by the kids carefree demeanor in contrast to Ben's determination to catch the kids. This shit, in its humorous portrays the immense gap between the pursuer and pursued, making this shot extremely funny.  Moreover,  this provides a light-hearted beat into this comedic film.

Finally, This shot is a POV/low angle shot. We find ourselves in Ben's disoriented perspective as he wakes up to an intense conversation between James and sister, who also happens to be his girlfriend. The low angle amplifies the gravity of their conversation, lending an ar of suspense to this specific scene. Yet, as the conversation unfolds, a comedic twist emerges. It is the realization that draws on Ben that the intensity in directed towards him. The juxtaposition of the low angle's seriousness with the humorous revelation creates a delightful scene, capturing the essence of both suspense and humor.